Go to “File” > “Movie” > “Open Movie” and find the movie that you’ll be working on. Now we start to feel like we’re actually getting somewhere… Go to “File” > “Project Settings” > “Audio” ![]() All those moments in the movie that you worked so hard to emphasise aren’t going to line up. This means that if a film editor imports your 44.1kHz audio into their 48kHz project, your music is going to be played very slightly slower than it’s meant to. For music the default is 44.1kHz (that’s 44,100 times per second – and how Logic automatically opens projects) but for film audio its 48kHz (48,000 times per second). Particularly if you’re sending your work to a video editor to do the final synchronisation.īasically, the “sample rate” is the number of times the audio is “looked at” by the computer per second. This step is so often overlooked, and can cause real headaches further down the line. “Logic Pro X” > “Preferences” > “Advanced Tools”Īnd then select “Enable All” Set Your Sample Rate I mean, why pay so much for professional software if you’re just going to use it like GarageBand? This step isn’t completely essential, but I highly recommend turning on Logic’s advanced features so that you can get the most out of the DAW. The basic ideas are the same, you’d just do it multiple times for each cue in a longer project. This Logic Pro X tutorial covers the basics of getting setup and ready to write!įor this tutorial I’m going to assume that you’re working with a short “home movie” style video, rather than a full length feature film. ![]() Logic Pro X is the ideal piece of software for film composers, but it can be tricky to know where to start. ![]() How To Use Logic Pro X – For Beginner Film Composers
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |